Created by the artistic duo Enzo e Barbara, “Depuratore ” installation explores the paradoxical nature of water purification in the modern era. Set within a system of pumps, containers, and drippers, the artwork simulates a closed-loop filtration process that never truly removes pollutants—inviting viewers to reflect on the complexity of contaminants like PFAS and how easily they shift from water to filter without ever being eliminated. The installation aims to highlight humanity’s responsibility to better manage resources that are increasingly at risk due to industrial pollution, privatization, and insufficient technologies.
From an aesthetic perspective, the artists envisioned a space that appears rigorously functional at first glance—complete with tubes, seals, and automated hardware—yet is ultimately illusory. Water cycles through various stations only to return to its starting point, prompting questions on our collective ability (or inability) to implement sustainable, lasting solutions. Despite the apparent machinery, the true filtration never happens, leaving behind a haunting sense of a process perpetually in limbo.
To reinforce this concept of “incomplete purification,” Enzo e Barbara integrated CEIR’s Monolama QR1 grid, using the classic 2 mm aluminum blade thickness for a robust, premium look. Initially, the grid functions as a symbolic stand-in for the carbon-activated filter, underscoring the tight mesh needed to trap harmful molecules. Yet, just like real filtration systems that merely relocate these particles rather than eradicate them, the grid’s structured elegance draws attention to the fragile boundary between control and futility.
What makes the QR1 model so suited to this project is its versatile cell structure, crafted from ultra-light yet durable aluminum profiles. The narrow, perforated cells add a sense of depth and geometric order, mirroring the systematic nature of industrial water treatment facilities. At the same time, the grid allows room for creative backlighting or decorative configurations, thanks to its sleek design and potential for seamless integration with various spaces. Beyond suspended ceilings, the QR1 series can be repurposed for masking ventilation systems or shielding light fixtures—further emphasizing the theme of revealing and concealing in the installation.
Made from 100% recyclable material, the Monolama QR1 also aligns with the project’s environmental message. Its concealed or exposed suspension options, plus a wide range of finishes, offer ample design freedom. As a result, Enzo e Barbara could elegantly blend a look of clinical efficiency with a visually arresting mesh that heightens the overall impact of their work. By adopting a model known for its simple lines and adaptable geometry, the artists showcase how functional architectural products can transcend their everyday usage and become elements of conceptual storytelling.
In essence, this installation positions water purification as both visually and thematically central, highlighting our society’s precarious balance between advanced technology and genuine ecological preservation. Through CEIR’s Monolama QR1 panel, the artwork demonstrates how an industrial component can transform into a compelling symbol—one that questions the limits of our current solutions while inspiring a more mindful approach to the resources on which we depend.
If you’re looking for a ceiling solution that transforms your artistic vision into a striking, meaningful experience— just as Enzo e Barbara achieved—reach out to us today to explore CEIR’s customizable panels for your next creative project:
